Saturday, June 24, 2006

Se Ruega No Tocar la Imagen

   SE RUEGA NO TOCAR LA IMAGEN
   Poetical Portrayal of Crucifixion
 
   Crucifixion in Granada Cathedral
   outlining natural death in holes and blood of heart and chest
   and brown and glittering spirituality in ribs and bones
   as body is that strong in muscles of trunk and arms
   that it seems to hinder a free fall of tissue
   from wood and nails as only the head hangs down
   to the left just above the imprint of soldiers’ spear.
 
   Mouth slightly open and eyes invisible in dark and dust
   of winter night which is celebrated by Mass going on
   some ten meters farther where believers meet amidst
   four giant pillars like a colonnade
   of some eight Corinthian columns in relief
   to four sides of shaft--
   uniting heaven and earth like circle and square do
   after Christ’s example by His death to the Cross.
 
   Against the mental suffering of Siddhartha
   Christ exemplifies a physical torture
   in clothes and punishment of poverty;
   loincloth sole dress to naked body
   as it is nude to specimen of art’s rule,
 
   Draped carelessly around the hips
   as a lost gesture of ignorance by Roman law
   the loincloth is wider than many Spanish ones
   and the often-abused masculinity is presence
   in glimmering strength of belly rolls
   whereby they nearly near to nowadays fashions,
 
   And seems to underline how spirit conquers flesh
   both in this wor’dly life and the Afterlife,
   an Afterlife that hasnot been entered upon yet;
 
   Some believers approach to pray
   Le Padre Mondo
   and step back to keep on worshipping
   in the shade of a next pillar
   designed like ancient temple’s.
 
   In darkness of suffering and night and color
   it now evokes a cry from Africa and Latin America
   whose reminiscence echoes the crucifixion
   torture and punishment has reduced Him too.
 
   GRACIAS
 
   Xanadu (Ofvaticanfame) for Blogspot.Com (June 2006)
   (Thanks to Granada Cathedral Andalusia
   and No Thanks to Da Vinci Code)
 
 


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