Se Ruega No Tocar la Imagen
SE RUEGA NO TOCAR LA IMAGEN
Poetical Portrayal of Crucifixion
Crucifixion in Granada Cathedral
outlining natural death in holes and blood of heart and chest
and brown and glittering spirituality in ribs and bones
as body is that strong in muscles of trunk and arms
that it seems to hinder a free fall of tissue
from wood and nails as only the head hangs down
to the left just above the imprint of soldiers spear.
Mouth slightly open and eyes invisible in dark and dust
of winter night which is celebrated by Mass going on
some ten meters farther where believers meet amidst
four giant pillars like a colonnade
of some eight Corinthian columns in relief
to four sides of shaft--
uniting heaven and earth like circle and square do
after Christs example by His death to the Cross.
Against the mental suffering of Siddhartha
Christ exemplifies a physical torture
in clothes and punishment of poverty;
loincloth sole dress to naked body
as it is nude to specimen of arts rule,
Draped carelessly around the hips
as a lost gesture of ignorance by Roman law
the loincloth is wider than many Spanish ones
and the often-abused masculinity is presence
in glimmering strength of belly rolls
whereby they nearly near to nowadays fashions,
And seems to underline how spirit conquers flesh
both in this wordly life and the Afterlife,
an Afterlife that hasnot been entered upon yet;
Some believers approach to pray
Le Padre Mondo
and step back to keep on worshipping
in the shade of a next pillar
designed like ancient temples.
In darkness of suffering and night and color
it now evokes a cry from Africa and Latin America
whose reminiscence echoes the crucifixion
torture and punishment has reduced Him too.
GRACIAS
Xanadu (Ofvaticanfame) for Blogspot.Com (June 2006)
(Thanks to Granada Cathedral Andalusia
and No Thanks to Da Vinci Code)
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